Over the years, we have found that following every project, our commitment to keeping design simple and honest is reinforced. The best designs are obvious, and so
simple when you see them. Finding these obvious solutions can be daunting, and relies on through design research. The works being undertaken at
Helen Hamlyn Research center are performing a great service to both the design industry and the public understanding of the value of design.
While
HHRC is performing this difficult 'back end' design work,
Haberdasherylondon was recently re-introduced to
Dieter Rams 10 rules of design... which we feel provides a timeless, honest 'front end' interpretation of the work being done at the
HHRC. These 10 rules beg the question, "What would Dieter Rams feel are the 10 rules that make for a good designer?" Here at Haberdasherylondon, we are confident that one of them would be "A great designer is a great researcher"
10 Design Commandments of Dieter Rams
1. Good Design is innovative
It does not copy existing product forms, nor does it produce any kind of novelty for the sake of it. The essence of innovation must be clearly seen in all functions of a product. The possibilities in this respect are by no means exhausted. Technological development keeps offering new chances for innovative solutions.
2. Good Design makes a product useful
A product is bought in order to be used. It must serve a defined purpose – in both primary and additional functions. The most important task of design is to optimise the utility of a product.
3. Good Design is aesthetic
The aesthetic quality of a product – and the fascination it inspires – is an integral part of the its utility. Without doubt, it is uncomfortable and tiring to have to put up with products that are confusing, that get on your nerves, that you are unable to relate to. However, it has always been a hard task to argue about aesthetic quality, for two reasons.
Firstly, it is difficult to talk about anything visual, since words have a different meaning for different people.
Secondly, aesthetic quality deals with details, subtle shades, harmony and the equilibrium of a whole variety of visual elements. A good eye is required, schooled by years and years of experience, in order to be able to draw the right conclusion.
4. Good Design helps a product be understood
It clarifies the structure of the product. Better still, it can make the product talk. At best, it is self-explanatory and saves you the long, tedious perusal of the operating manual.
5. Good Design is unobtrusive
Products that satisfy this criterion are tools. They are neither decorative objects nor works of art. Their design should therefore be both neutral and restrained leaving room for the user’s self-expression.
6. Good Design is honest
An honestly-designed product must not claim features it does not have – being more innovative, more efficient, of higher value. It must not influence or manipulate buyers and users.
7. Good Design is durable
It is nothing trendy that might be out-of-date tomorrow. This is one of the major differences between well-designed products and trivial objects for a waste-producing society. Waste must no longer be tolerated.
8. Good Design is thorough to the last detail
Thoroughness and accuracy of design are synonymous with the product and its functions, as seen through the eyes of the user
9. Good Design is concerned with environment
Design must contribute towards a stable environment and a sensible use of raw materials. This means considering not only actual pollution, but also the visual pollution and destruction of our environment.
10. Good Design is as little design as possible
Back to purity, back to simplicity.
-Dan Siden
Founding Partner
Haberdahserylondon
Back in 2008, Haberdasherylondon was commissioned by the BFI to sculpt their new Fellowship Award for lifetime achievement.
